Everybody Wins

Stripmall Ballads

RELEASE DATE 2/10/2026 With Everybody Wins, Phillips Saylor Wisor—better known as Stripmall Ballads—delivers a stark, sweeping, and fiercely lyrical portrait of forgotten America. Set against landscapes of crumbling mill Read more

RELEASE DATE 2/10/2026 With Everybody Wins, Phillips Saylor Wisor—better known as Stripmall Ballads—delivers a stark, sweeping, and fiercely lyrical portrait of forgotten America. Set against landscapes of crumbling mill towns, floodplains, boxcars, satellite parking lots, and the haunted quiet of early morning light, the album is both elegy and exaltation for the outcast and overlooked. Wisor’s storytelling is unflinching: every line is freighted with memory, grit, and heartache. This time, he’s joined by alt-country hero John R. Miller and his band The Engine Lights, whose intuitive, road-worn musicianship anchors the record’s emotional heft. Special guests Lydia Loveless, Willy Tea Taylor, and Bob Sumner contribute harmony, depth, and a shared sense of restless spirit, rounding out an album that feels timeless, timely, and deeply human.

Everybody Wins is a dispatch from the margins, a collection of dusty stripmall psalms and roadside laments that burn with quiet revelation. From the bruised beauty of “Rabbits” to the biting cultural commentary of “Like and Share,” Wisor writes with an unmatched sensitivity to the everyday holy and the quietly broken. His voice is both lived-in and luminous, carrying the weight of hard years and flickering hope. This isn’t just an album—it’s an altar of song for the ghosts still walking Main Street. One listen and you’ll understand: these aren’t just stories. They’re survival songs.

Guitar, vocals and songs: Phillips Saylor Wisor.

With Kentucky John Clay, J. Tom Hnatow and John R. Miller. Featuring Chloe Edmonstone, Lydia Loveless, Bob Sumner, Willy Tea Taylor.

Recorded at Small Blue Studio in Lexington, KY

Produced/Engineered/Mixed by J. Tom Hnatow

Cover photography by Brett Schenning / Photo illustration by Ryan Rich

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LEFT BEHIND

Stripmall Ballads

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LEFT BEHIND

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LEFT BEHIND was written in a 24-hour Casey's gas station outside Clear Lake, Iowa after Phillips visited the crash site where Buddy Holly, Richie Valens and The Big Bopper met their demise February 3, 1959. Recorded and Read more

LEFT BEHIND was written in a 24-hour Casey's gas station outside Clear Lake, Iowa after Phillips visited the crash site where Buddy Holly, Richie Valens and The Big Bopper met their demise February 3, 1959. Recorded and Produced by Brad Park.
The entire piece is meant to be listened to as the Left Behind Suite, as composed by Brad Park. Left Behind Suite is the 3 songs connected with electronica interludes. The 3 songs are also included to accommodate the streaming services and those who wish to hear each individually.

LEFT BEHIND was written in a 24-hour Casey's gas station outside Clear Lake, Iowa after Phillips visited the crash site where Buddy Holly, Richie Valens and The Big Bopper met their demise February 3, 1959.

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    Left Behind Suite (1. The End is Near / Clear Lake, 2. Shitty Hometown / The Surf Ballroom, 3. Everything Must Go)

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    The End Is Near

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    Shitty Hometown

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    Everything Must Go

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Laundromat

Laundromat

Stripmall Ballads

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Laundromat

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A field recording from 2016 made in an empty farmhouse in rural Maryland during a full moon. This session was considered lost until being rediscovered in 2021. Produced by Brad Park / Photograph by Brett Schenning / Songwriting by PSW, Paul Lippens, Tom Lucas and Ray Mason / Guitar, banjo and vocals by PSW / harmony vocal by Renee Thompson

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What will we do when we have no money?

What Will We Do When We Have No Money?

Stripmall Ballads

Please enjoy this folk song recorded in my Garage of Solitude during the 2020 pandemic. It is my hope that this simple song brings you some enjoyment during this tumultuous time. Much love, P

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distant

Distant (2020)

Stripmall Ballads

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Distant (2020)

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" Distant is a record to be sipped with attention and patience, a rich story...a disc with remarkable poetic force." - Lonestar Times

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    Susan at the Crossroads

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    Juice and Sage

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    Don't Mind Me

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    Valerie

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    Pull Over Johnny

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    Marietta

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    Slinger

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Stream DISTANT on Spotify 

Stream DISTANT on Apple Music

Stream DISTANT on Amazon Music

Good for a While (EP) 2018

Stripmall Ballads

2018 A side/B side EP.
"A paradoxically rich lo-fi style—bringing to mind Gillian Welch and Townes Van Zandt but also big rock bands like R.E.M." - Various Small Flames (UK)

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KILLER (EP) 2013

Stripmall Ballads

Lovingly recorded and produced by Kentucky indie music stalwart, J. Tom Hnatow, KILLER features two haunting original ballads and two RARE banjo pieces.

The psychedelic ambiance and dark undertone that ties these four songs together make KILLER a stand-out in the Stripmall Ballads collection.

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The Field (2013)

Stripmall Ballads

The very special collaboration between Phillips and producer (and banjo-genius) Danny Barnes, THE FIELD was recorded on cassette and released in the same medium but is available here as mp3 This is the free version of The Read more

The very special collaboration between Phillips and producer (and banjo-genius) Danny Barnes, THE FIELD was recorded on cassette and released in the same medium but is available here as mp3

This is the free version of The Field.
There are 2 mp3 tracks, each track containing 5 songs (one side of a tape).

Purchasing a physical copy of The Field ($10) through Stripmall Ballads directly comes with a download code for an enhanced digital album, with 10 separated tracks.
The enhanced digital version is available for $5.

Feel free to contact Phillips or Minner Bucket Records to place an order. (or demand that your local record store carry them!)

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Ballads, Stripmall (2010)

Stripmall Ballads

"Ballads, Stripmall" is a deeply charismatic album. It locates itself resolutely in the injured drama of Northeast DC and invites us into that world. Its commitment to context is evidenced by the fact that the sounds of Read more

"Ballads, Stripmall" is a deeply charismatic album. It locates itself resolutely in the injured drama of Northeast DC and invites us into that world. Its commitment to context is evidenced by the fact that the sounds of the back alley of the studio were recorded in simultaneously with the musical performances and woven through the songs… unedited… and in real time. The chirping of birds, the shouts of kids, hip-hop pulsing out of cars, sirens and laughter drift through the recording and document life in Northeast. These aren’t sound effects and they aren’t ironic. They are reminders to the artist and to the listener that our lives intersects with the lives of others and that art resides at this intersection… sometimes homeless and panhandling… sometimes selling newspapers and cold water… and sometimes just shooting the breeze with passers-by. This is folk music." Brad Park, producer

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Since Jimmy Died (2008)

Stripmall Ballads

"SINCE JIMMY DIED is fractured and flawed.......and for those reasons it is also hauntingly gorgeous, melding Appalachian roots with intimate, Beat poet-esque lyrical ruminations." .... - Seven Days (Burlington, VT) Read more

"SINCE JIMMY DIED is fractured and flawed.......and for those reasons it is also hauntingly gorgeous, melding Appalachian roots with intimate, Beat poet-esque lyrical ruminations." .... - Seven Days (Burlington, VT)

"SINCE JIMMY DIED is Phillips, his guitar, some beautifully written songs and his voice with that country twang and that's it and it's PERFECT. This is music played with raw emotion and full of sincerity and it's to be admired." .. ..- youcrazydreamers.com - UK

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